本索引所标页码为原书页码,参见本书边码
Abercrombie,L.,L.艾伯克龙比,66注,242
Academic,in art,学院派,艺术中的,138,142,269,288
“Abstract”art,“抽象”艺术,93,313
Adams,Henry,亨利·亚当斯,30
Alexander,Samuel,塞缪尔·亚历山大,64
Appreciation,Esthetic,欣赏,审美的,54,177,183,186,199,256,308
Architecture,建筑,7,221,222,232,344;~的媒介,230;“建筑与人文主义”,127
Aristotle,亚里士多德,40,96注,188,221,227,283—285,289,307
Arnold,Mathew,马修·阿诺德,47,300,346
Art,艺术,3,4,6,7,8,18,24,25,26,27,31,121,123,129,135,138,142,143,151,326,330,331;~与文明,326—349;~作为一种知识样式,288,289;美的~,8,80,81;~媒介,通过它艺术与世界接触,195;“艺术的”与“审美的”,46,63,119
Arts,各门艺术,3,7,38,74;~的共同实质,187—213;~的不同实质,214—244,270,271,296
Associational psychology,联想心理学,99—101
Attitudes and interests,态度与趣味,264
Austen,Jane,简·奥斯丁,171
Balance,平衡,14,257。参见Symmetry
Barnes,A.C., A.C.巴恩斯,vii,93,94,116,117注,118,173,202,221
Beauty,美,129—130,161,184,191,223,248,251,291
Beethoven,贝多芬,112,208,223
Blake,布莱克,206
Body,Cultivation of the,身体的开发,227,以及心灵的开发,21
Booth,Edwin,埃德温·布思,315
Bosanquet,B., B.鲍桑葵,292
Botticelli,波提切利,92,170
Boucher,布歇,128
Bradley,A.C.,A.C.布拉德利,108,110,113
Browning,布朗宁,281,322,348
Brueghl,the elder,老勃鲁盖尔,188
Buermeyer,L., L.伯迈耶,94注,317注
Capitalism and art,资本主义与艺术,8—9
Carlyle,T.,托马斯·卡莱尔,292
Catholic Church,The,天主教会,329,330
Censorship,Plato's idea of,柏拉图关于审查制度的思想,8
Cézanne,塞尚,47,92,121,129,143,188,210,211,235,259,287,302,303
Challenge to Philosophy,the,挑战哲学,272-297
Change,Permanence and,变化,永恒与~,322—325
Chardin,夏尔丹,129,188
Charm,魅力,295。参见Decoration
Chinese paintings,中国绘画,141,142,143,209
Civilization,Art and 文明,艺术与~,329—349
Clark-Maxwell,克拉克-麦克斯韦,199
Classic,The古典,3,142,144—146,169,282
“Classicism”and“Romanticism”“古典主义”与“浪漫主义”,311
Classification of arts 分类,艺术的~.见Varied Substance of the Arts与Temporal and Spatial
Claude,克劳德,294
Coleridge,柯尔律治,5,33,110,156,188,194,214,267
Color,色彩,141,203,234,235
Colvin,Sir Sidney,西德尼·科尔文爵士,96,218—219
Common patterns in various experiences,共同图式,多种经验的,16;各门艺术中的共同实质,187—213
Communication,交流,237,104—105,244,270,286,334—336
Compartmental conception of art,艺术分区化的观念,81
Com-pression and ex-pression,压缩与表现,66,182
Conceptions in philosophy and science,creative,哲学与科学中的创造性观念,275
Comflict and struggle,冲突与斗争,41。见Resistance
Consciousness,意识,23,25,53,261,266
Constable,康斯太布尔,178,269,294
Consummatory Experience,巅峰经验,17,19,35,37,41,56,67,137,139,172—173,326
Contemplation,观照,252—256
Contribution,The human,人的贡献,245—271
Control,Oligarchical,of artist and critic,艺术与批评的寡头控制,343
Conventions,惯例,152—153
Corot,柯罗,211
Courbet,库尔贝,178,293
Craftsmanship,技能,47,227。见Technique
Creature,The Live,活的生物,3—34
Critic,The,批评家,110,113,129,146,216,226,313,314,315,323—325
Criticism,Theory of,批评的理论,12,146,298—325;评判的~,303,304
“Critique of Judgment,”Kant's,康德的《判断力批判》,252
Croce,克罗齐,183,289
Culture,Greek,希腊文化,331;~的意义,28
Dante,但丁,110,111,289,318,319
Darwin,达尔文,155,156
Daumier,杜米埃,188
Decorative quality in art,装饰性,艺术的~,128—130
“Decorum”and“propriety”,“得体”与“妥帖”,198
Degas,德加,178,188
Delacroix,德拉克洛瓦,121,145,200,282
Descartes and Locke,笛卡尔与洛克,338
Design,设计,116—117,121
Dewey,J.,约翰·杜威,120,272,320
Diderot,狄德罗,79,188,258
Direct esthetic experience,直接的审美经验,223
Discrimination,区别,151
Disassociation,in art,艺术上的分解,250
Doing and undergoing,做与受,44—50,52—56,见Interaction
Dürer,丢勒,289
Dutch school,荷兰画派,235
Eastman,Max,马克斯·伊斯曼,135,261
Egyptian art,埃及艺术,170,327
Egyptian sculpture,埃及雕塑,170
Einfuehling,移情,101
Elegance and form,高雅与形式,140
El Greco,艾尔·格列柯,92
Eliot,George,乔治·艾略特,78注
Emerson,R.W., R.W.爱默生,28,316
Empathy,移情,101—102
Energy,能量,48,55,155,161—186
Emotions,情感,42—43,64—69,76,78,79,118,122,155,236—238
Enjoyment of works of esthetic art,欣赏,审美的艺术作品的,27;伊斯曼的《诗的欣赏》,135
Environment,环境,13—19,22,56,58始见Interaction
Epstein,爱泼斯坦,170
Equilibrium,result of tension,均衡,张力的结果,14。见Balance
Essence,and Art,本质,~与艺术,216,223,226,291—294
Esthetic,审美,3,4,10,11,14,15,18,27,30,39—42,46,53,76,78,79,87—99,115,169,173,195,216,218,223,245,250,252,256,267,272,293“以太物”,20注
Experience,经验,4,10,16,19,20,21—24,27,29,35;审美的与非审美的~,40,49,55,58,84,97,104,132,137,145,194,207,212,216,223,230;245—246,270,272,326
Experiment in art,实验,艺术中的~,144,339
Expression,表现,23,58—81,85—102,270;达尔文《人与动物的情感表现》,155
Fallacies,of Criticism,批评的谬误,315—317
Feeling,感情,207,见Emotion
Fine arts,philosophy of,美的艺术的哲学,3,280—297,320—322;~与宗教,6
Fine art,美的艺术,80,81
Fine and Useful Arts,美的与实用的艺术,26—27,116,176,231,260—262
Fixation,定型,41,189
Flemish school,佛兰德斯画派,206
Florentine School,佛罗伦萨画派,141,172,330
Form,形式,24,75,114,116,124,128,132,134—161,202;希腊哲学与美学,149;哥特式雕塑的~,142;~的自然史,134—161;音乐的~,228
Fragonard,弗拉戈纳尔,128
French painting,Decorative in,法国绘画中的装饰性,128
Frescoes,壁画,222
Fry,Roger,罗杰·弗莱,86,88,89
Functionalism,in art,功能主义,艺术中的~,115,127,341—342
Giorgione,乔尔乔涅,223
Giotto,乔托,91
Goethe,歌德,281,297,314,317
Gothic buildings,哥特式建筑,222;~雕塑的形式,142
Goya,戈雅,92,127
Greece,希腊,25,327
Greek culture,希腊文化,331;~人的运动会与运动场,227;~人的科学与哲学,149,198,337;~人的雕塑,143,170
Guardi,瓜尔迪,129
Guercino,圭尔奇诺,142
Hambidge,Jay,杰伊·汉比奇,317
Hamlet,哈姆雷特,314
Happiness,幸福,17
Harmony,和谐,14,17,87,160
Hazlitt,William,威廉·哈兹里特,283
Hegel,黑格尔,152,289
Hesiod,赫西俄德,328
Housman,豪斯曼,188,216
Hudson,W.H., W.H.赫德森,28,125
Hulme,T.E., T.E.休姆,76,331—332
Human Contribution,The,人的贡献,245—271
Ibsen,易卜生,188
Ideals and Material,理想与材料,18,27,242,291
Illusion,in art,幻觉,艺术中的~,200—201,275—277
Imagination,想象,266—269,272—274
Imitation,摹仿,7,283,见Representation
Immediacy,of esthetic values,直接性,审美价值的~,119,293
Impulsion,冲动,58,255
Individualization,个人化,67 始,82,202—206,277,283,288
Industrialism,an art,工业制度,一种艺术,9—10,26,227,337,341—344
Inertia of habit and imagination,习惯与想象的惯性,270
Ingres,安格尔,303
Inspiration,灵感,65—66,266
Instinct,本能,256
Instrumental,工具性,139—140
Intellectual,and Esthetic,理智的,与审美的,15—16,45,55,73—74,94
Intelligence and Intelligibility,理智性与可理解性,22,45,134,138,172,213,288—290
Interaction,of Organism and Environment,相互作用,有机体与环境,第一章与第二章各处,13—19,22,35,50 始,147,246,272
Intuition,直觉,266,294
James,William,威廉·詹姆斯,56,72,91,119,123,168,206,210,217
Johnson,Samuel,塞缪尔·约翰逊,79,96
“Joie de Vivre,”by Matisse,《生之愉悦》,马蒂斯作,126,276
Judicial criticism,司法式批评,303,304
Kant,康德,125,217,295;《判断力批判》,252
Kantian psychology,The,康德的心理学,254,255
Keats,济慈,32—33,70,111,124,144,206,216,234,254,257,347
Knowledge,art as a mode of,知识,艺术作为~的一种形式,288,289,291
Lamb,Charles,查尔斯·兰姆,140,283
Lancret,朗克雷,128
Language,Objects of art as,语言,艺术对象作为,106,287,335。见Medium
Lee,Vernon,浮龙·李,101,103
Leibniz,莱布尼茨,204
Leonardo,列奥纳多,172,289
Lemaitre,Jules,朱尔·勒梅特,304,305
Line and form,线与形,202
Lines,carry the properties of objects,线,带有对象的性质,100
Lippmann's “A Preface to Morals”,李普曼的《道德序言》,329,340
Literature,the medium of,文学的媒介,228
Living,experience and process of,生命的经验与过程,35
Locke,Descartes and,洛克,笛卡尔与~,338;休谟与~,37
Louvre,卢浮宫,8,302,312
Lucretius,卢克莱修,289
“Lucy Gray,”Wordsworth,《露西·格雷》,华兹华斯作,131
Macbeth,麦克佩斯(又译麦克白),195,206
Machiavelli,马基雅维里,329
Make-believe Theory,虚拟理论,275—277
Man and nature,人与自然,270—271;艺术作为~的区别性特征,26
Manet,马奈,143,176
Mann,Thomas,托马斯·曼,212,313
Mantegna,曼特尼亚,142
Marin,John,约翰·马林,204
Masaccio,马萨乔,92
Mass and volume,团块与体积,210,212
Material,材料,27,75
Matisse,马蒂斯,83,106,113,118,128,136,276,302
Matter,and form,质料与形式,128,132
Meaning,in art,意义,艺术中的~,59,71,84 始,99,278,见Representation
“Mean proportional”,The,and Aristotle,比例中项,与亚里士多德,40
Means and medium,手段与媒介,197—199
Medium and media,媒介,63—65,117,195—202,226,230—231,236,240,277,287—288,319—320
Melville,麦尔维尔,317
Memories and art,记忆与艺术,18注,71—73,89—90,122
Michael Angelo's“Moses”,米开朗琪罗的《摩西》,234
Mill,John Stuart,约翰·斯图尔特·穆勒,47
Milton,弥尔顿,79,110,124,153,289,318—319
Mind,心灵,21,22,42,263—265,272注,273
Molière,莫里哀,240
Monet,莫奈,302,303
Morals,道德,20,21,26,39;艺术的功能,344—348
Motor dispositions,动力设置,97,101
Movement,in direct experience,运动,在直接经验之中的~,207
Murillo,牟利罗,91
Murray,Gillbert,吉尔伯特·默里,291
Museum art,博物馆艺术,7—9
Music,音乐,7,8,74,157—158,223,236—238,296
Musical form,音乐的形式,228
Natural History of Form,形式的自然史,134—161
Nature,自然,14,28,79,100,139—140,151—152,331—333
“Negative capability,”Shakespeare a man of,“否定性能力”,莎士比亚作为一个具有~的人,33
Newton,牛顿,298
Non-esthetic,The,非审美,40,49,102
Notre Dame,巴黎圣母院,54
Novel,The,小说,157—158
Nude,the,and pornographic,裸体与色情的,95,178
Object,Artist defines by use of color,对象,以色彩的使用而规定的艺术家,203;表现的~,82—105
Objective and subjective,客观的与主观的,85
Objective,materials,客观的材料,277
Objects,对象,100,106,116
“Ode on a Grecian Urn,”Keats,《希腊古瓮颂》,济慈作,206
O'Neill,Eugene,尤金·奥尼尔,181
Order,akin to the esthetic,秩序,类似于审美,15
Organism,and environment,有机体,与环境,13—19,22,58 始。见Interaction
Organization of Energies,The,能量的组织,161—186
Painters,画家,73,143,200,235,300
Painting,绘画,7,74,91,128,141—143,157—158,209,223,234—235,318
“Paradise Lost,”Milton,《失乐园》,弥尔顿作,110
Paradox,Diderot's,狄德罗的悖论,79,258
Parkhurst,Dr.Helen,海伦·帕克赫斯特博士,224
Parthenon,The,帕台农神庙,4,108,112,224,227
Pater,Walter,瓦尔特·佩特,31,229,283
Participation and communication,参与和交流,22
Patterns,common,in various experience,图式,共同的,在不同的经验中,16
Perceptible form,可知觉的形式,75
Perception,知觉,10,44,49,97,130,137,162,177,195,226,256;与批评,298—325
Permanence and change 永久与变化,322—325
Philosophy,哲学,3,11,99,120,149,272—297,337
Philosophers,and scientists,哲学家,与科学家,73
Plato,柏拉图,8,26,247,291,317,328—329
Play Theory,of art,游戏理论,艺术的~,277—281
Plotinus,普罗提诺,291
“Pointillist”technique,“点彩派”技术,122
Politics,Compartmentalization of,政治学,分区化的~,20;~与道德,26
Popularity and communicability,流行性与可交流性,104
Poe,Edgar Allen,埃德加·艾伦·坡,74,194
Poetry,诗,33,110,216,240—241
Poets and painters,诗人与画家,73;戏剧学与音乐家,8
Poussin,Nicholas,尼古拉·普桑,251
Practical,the,and the Esthetic,实践的,与审美的,39—40,55 始,260—262
Preface to Morals,A,Lippmann's,《道德序言》,李普曼著,329
Prose and poetry,散文与诗,240—241
Psychological aspects and elements of esthetic experience,心理学方面与审美经验成分,245
Psychology,The Kantian,心理学,康德的~,254,255;~与艺术理论,245—271
Pure Reason operation as a demand upon Pure Will,纯粹理性作为纯粹意志的一个要求而起作用,252
Qualities,Sensory,性质,感性的,21,102,120 始,124,194,215,255,258—259,293
Qualitative Thought,定性的思想,120注,144—145,191,193注,195,201—202
Raphael,拉斐尔,172
Reason,理性,33,253,见Intelligence and Intelligibility
“Reason in Art,”Santayana,《艺术中的理性》,桑塔亚那著,227
Recognition,认识,23—24,52,114,259
Reconciliation,Meaning of,和解,意义的~,185—186
Recurrence,Esthetic,审美的重现,169始
Reflection,反思,15,70,114,202,293
Relations,关系,25,101—102,117,134—135,166
Religion and fine art,宗教与美的艺术,6,31;~的分区化,20
Religious feeling,宗教的感情,195;~的绘画,318
Rembrandt,伦勃朗,92,112,206
Renascence,The,文艺复兴,141,251,329
Renoir,雷诺阿,95,128,167,178,301
Representation,in art,再现,艺术中的~,83,88 始,112—114,199,221—223,253,283—288
Resistance,抵抗,23,59—60,138,145,147,155,160,137,179,182,236,261—262,268,280,339
“Revelation”in art,“启示”,艺术中的~,270
Reverie and Art,幻想与艺术,276;大脑的~,221
Reynolds,Sir Joshua,乔舒亚·雷诺兹爵士,187,284—285,300
Ribera,里贝拉,142
Richards,I.A., I.A.瑞恰兹,250
Rhythm,节奏,14,16,137,147,150—156,162—169,175—176
Roman School,罗马画派,188,330;浪漫主义,282—283;~与古典主义,311
Rousseau,卢梭,189
Rousseau Douanier,卢梭,收税者,235
Rubens,鲁本斯,54,206
Rules,and subject-matter,规则,与题材,226
“St.Agnes Eve,”Keats,《圣爱格尼斯之夜》,济慈作,254
Santayana,G.,乔治·桑塔亚那,18,140,156,127,292,320,330
Sargent,萨金特,47
Schiller,席勒,191
Schools of art,艺术流派,141,172,288,265,330
Schopenhauer,叔本华,231,239,289
Science,科学,84,121,337
Scientific,the,and the esthetic,科学的,与审美的,15,26,34,46,75,84,95,149—150,183,288—290,318—319,337—341
Scientists and philosophers,科学家与哲学家,73,144
Scott,Geoffrey,“Architecture and Humanism”,杰弗里·斯各特《建筑与人文主义》,127注
Scott,Sir Walter,瓦尔特·司各特爵士,171,283
Sculpture,雕塑,142—143,170,223,232
Sensations,感受,21,245,255。见Qualities
Sense,感觉,22,102,115,127,132。见Qualities,Sensory
Sense-perception,感觉-知觉,53 始,101—102,115
Serenity in art,艺术中的宁静,160
Shakespeare,莎士比亚,33,124,143,159,190,205
Shape,and form,形状,与形式,102,114 始
Shaping and automatic arts,造形的与自动的艺术,227
Shelley,雪莱,111,289,347—349
Social Conditions,and Art,社会条件,与艺术,20 始,80—83,104,261—262,326—330,337—348
Socrates,苏格拉底,26
Sound,声音,210,236
Space,空间,183,206,209—212。见Temporal and Spatial
“Speculations,”Hulme,《思索》,休姆作,76,331
Spencer,H.,赫伯特·斯宾塞,114
Spenser,Edmund,埃德蒙·斯宾塞,280
“Spiritual”experience,Ideal and,“精神的”经验,理想与~,29
Spontaneity,in art,自发性,艺术中的~,70 始,279
Statement,versus Expression,陈述,相对于表现,85 始
Stein,Leo,利奥·斯泰因,157,205
Subject-matter,题材,88—89,94,111,114,226
Subjective and objective,主观的与客观的,85,276
Substance of the arts,Varied,各门艺术的实质,214—244
Substance and form,实质与形式,105—135
Supernatural,超自然的,30
Symbols,符号,29,83,150
Symmetry and rhythm,平衡与节奏,178—179,183;动力的与功能的~,182
Technique,“Pointillist”,技巧,“点彩派”,122;~的相对性,140—144,228,304—305,330
Technological and shaping arts,技术的与造形的艺术,227
Temporal and Spatial,in art,时间的与空间的,在艺术中,23,163,175,183—184,206—214,218—221
Tennyson,丁尼生,78,193
Tension,Equilibrium result of,张力,均衡的结果,14,13。见Resistance
Thoreau's“Walden”,梭罗的《瓦尔登湖》,316
Thorwaldsen,托瓦尔森,143
Theory,理论,3,10—12,17,101,127,159,242,252,279,331—332
Thinking,in Art 思维,艺术中的~,38,73,119
Time,时间,23,210。见Rhythm
Thntern Abbey,廷特恩教堂,85
Tintoretto,丁托列托,92,142,311—312
Titian,提香,92,112,128,142,177,209,315
Tolstoi,托尔斯泰,105,190,200
Tradition,传统,159,265,310—312,338
Tragedy,悲剧,96
Truth and the Good,真与善,252
Ugly,the,丑,95—96,115,173,204注
Umbrian and Roman painters,翁布里亚与罗马画家,300
Undergoing,受,44,132,155
Unity,统一,35,160,183
Utrillo,郁特里洛,294
Values,价值,308—309;转移的~,118,224
Van Eyck,凡·爱克,209
Van Gogh,凡·高,70,72,85,302
Variation,变异,167—169,323
Varied substance of the arts,各门艺术的实质,214—244;实质,与形式,171
Variety,多样性,23
Velasquez,委拉斯开兹,128
Venetian painters,威尼斯画家,143,~画派,141,188,206
Vision,Esthetic,视觉,审美的,250
“Walden,”Thoreau's,《瓦尔登湖》,梭罗作,316
Watteau,华托,128
Whistler,惠斯勒,167
Winged Victory,带翅膀的胜利女神,234
Wordworth,华兹华斯,85,112,131,151,153,164,188,289
Work of art,艺术作品,3,11,27,83,162,214,219