本索引所标页码为原书页码,参见本书边码

Abercrombie,L.,L.艾伯克龙比,66注,242

Academic,in art,学院派,艺术中的,138,142,269,288

“Abstract”art,“抽象”艺术,93,313

Adams,Henry,亨利·亚当斯,30

Alexander,Samuel,塞缪尔·亚历山大,64

Appreciation,Esthetic,欣赏,审美的,54,177,183,186,199,256,308

Architecture,建筑,7,221,222,232,344;~的媒介,230;“建筑与人文主义”,127

Aristotle,亚里士多德,40,96注,188,221,227,283—285,289,307

Arnold,Mathew,马修·阿诺德,47,300,346

Art,艺术,3,4,6,7,8,18,24,25,26,27,31,121,123,129,135,138,142,143,151,326,330,331;~与文明,326—349;~作为一种知识样式,288,289;美的~,8,80,81;~媒介,通过它艺术与世界接触,195;“艺术的”与“审美的”,46,63,119

Arts,各门艺术,3,7,38,74;~的共同实质,187—213;~的不同实质,214—244,270,271,296

Associational psychology,联想心理学,99—101

Attitudes and interests,态度与趣味,264

Austen,Jane,简·奥斯丁,171

Balance,平衡,14,257。参见Symmetry

Barnes,A.C., A.C.巴恩斯,vii,93,94,116,117注,118,173,202,221

Beauty,美,129—130,161,184,191,223,248,251,291

Beethoven,贝多芬,112,208,223

Blake,布莱克,206

Body,Cultivation of the,身体的开发,227,以及心灵的开发,21

Booth,Edwin,埃德温·布思,315

Bosanquet,B., B.鲍桑葵,292

Botticelli,波提切利,92,170

Boucher,布歇,128

Bradley,A.C.,A.C.布拉德利,108,110,113

Browning,布朗宁,281,322,348

Brueghl,the elder,老勃鲁盖尔,188

Buermeyer,L., L.伯迈耶,94注,317注

Capitalism and art,资本主义与艺术,8—9

Carlyle,T.,托马斯·卡莱尔,292

Catholic Church,The,天主教会,329,330

Censorship,Plato's idea of,柏拉图关于审查制度的思想,8

Cézanne,塞尚,47,92,121,129,143,188,210,211,235,259,287,302,303

Challenge to Philosophy,the,挑战哲学,272-297

Change,Permanence and,变化,永恒与~,322—325

Chardin,夏尔丹,129,188

Charm,魅力,295。参见Decoration

Chinese paintings,中国绘画,141,142,143,209

Civilization,Art and 文明,艺术与~,329—349

Clark-Maxwell,克拉克-麦克斯韦,199

Classic,The古典,3,142,144—146,169,282

“Classicism”and“Romanticism”“古典主义”与“浪漫主义”,311

Classification of arts 分类,艺术的~.见Varied Substance of the Arts与Temporal and Spatial

Claude,克劳德,294

Coleridge,柯尔律治,5,33,110,156,188,194,214,267

Color,色彩,141,203,234,235

Colvin,Sir Sidney,西德尼·科尔文爵士,96,218—219

Common patterns in various experiences,共同图式,多种经验的,16;各门艺术中的共同实质,187—213

Communication,交流,237,104—105,244,270,286,334—336

Compartmental conception of art,艺术分区化的观念,81

Com-pression and ex-pression,压缩与表现,66,182

Conceptions in philosophy and science,creative,哲学与科学中的创造性观念,275

Comflict and struggle,冲突与斗争,41。见Resistance

Consciousness,意识,23,25,53,261,266

Constable,康斯太布尔,178,269,294

Consummatory Experience,巅峰经验,17,19,35,37,41,56,67,137,139,172—173,326

Contemplation,观照,252—256

Contribution,The human,人的贡献,245—271

Control,Oligarchical,of artist and critic,艺术与批评的寡头控制,343

Conventions,惯例,152—153

Corot,柯罗,211

Courbet,库尔贝,178,293

Craftsmanship,技能,47,227。见Technique

Creature,The Live,活的生物,3—34

Critic,The,批评家,110,113,129,146,216,226,313,314,315,323—325

Criticism,Theory of,批评的理论,12,146,298—325;评判的~,303,304

“Critique of Judgment,”Kant's,康德的《判断力批判》,252

Croce,克罗齐,183,289

Culture,Greek,希腊文化,331;~的意义,28

Dante,但丁,110,111,289,318,319

Darwin,达尔文,155,156

Daumier,杜米埃,188

Decorative quality in art,装饰性,艺术的~,128—130

“Decorum”and“propriety”,“得体”与“妥帖”,198

Degas,德加,178,188

Delacroix,德拉克洛瓦,121,145,200,282

Descartes and Locke,笛卡尔与洛克,338

Design,设计,116—117,121

Dewey,J.,约翰·杜威,120,272,320

Diderot,狄德罗,79,188,258

Direct esthetic experience,直接的审美经验,223

Discrimination,区别,151

Disassociation,in art,艺术上的分解,250

Doing and undergoing,做与受,44—50,52—56,见Interaction

Dürer,丢勒,289

Dutch school,荷兰画派,235

Eastman,Max,马克斯·伊斯曼,135,261

Egyptian art,埃及艺术,170,327

Egyptian sculpture,埃及雕塑,170

Einfuehling,移情,101

Elegance and form,高雅与形式,140

El Greco,艾尔·格列柯,92

Eliot,George,乔治·艾略特,78注

Emerson,R.W., R.W.爱默生,28,316

Empathy,移情,101—102

Energy,能量,48,55,155,161—186

Emotions,情感,42—43,64—69,76,78,79,118,122,155,236—238

Enjoyment of works of esthetic art,欣赏,审美的艺术作品的,27;伊斯曼的《诗的欣赏》,135

Environment,环境,13—19,22,56,58始见Interaction

Epstein,爱泼斯坦,170

Equilibrium,result of tension,均衡,张力的结果,14。见Balance

Essence,and Art,本质,~与艺术,216,223,226,291—294

Esthetic,审美,3,4,10,11,14,15,18,27,30,39—42,46,53,76,78,79,87—99,115,169,173,195,216,218,223,245,250,252,256,267,272,293“以太物”,20注

Experience,经验,4,10,16,19,20,21—24,27,29,35;审美的与非审美的~,40,49,55,58,84,97,104,132,137,145,194,207,212,216,223,230;245—246,270,272,326

Experiment in art,实验,艺术中的~,144,339

Expression,表现,23,58—81,85—102,270;达尔文《人与动物的情感表现》,155

Fallacies,of Criticism,批评的谬误,315—317

Feeling,感情,207,见Emotion

Fine arts,philosophy of,美的艺术的哲学,3,280—297,320—322;~与宗教,6

Fine art,美的艺术,80,81

Fine and Useful Arts,美的与实用的艺术,26—27,116,176,231,260—262

Fixation,定型,41,189

Flemish school,佛兰德斯画派,206

Florentine School,佛罗伦萨画派,141,172,330

Form,形式,24,75,114,116,124,128,132,134—161,202;希腊哲学与美学,149;哥特式雕塑的~,142;~的自然史,134—161;音乐的~,228

Fragonard,弗拉戈纳尔,128

French painting,Decorative in,法国绘画中的装饰性,128

Frescoes,壁画,222

Fry,Roger,罗杰·弗莱,86,88,89

Functionalism,in art,功能主义,艺术中的~,115,127,341—342

Giorgione,乔尔乔涅,223

Giotto,乔托,91

Goethe,歌德,281,297,314,317

Gothic buildings,哥特式建筑,222;~雕塑的形式,142

Goya,戈雅,92,127

Greece,希腊,25,327

Greek culture,希腊文化,331;~人的运动会与运动场,227;~人的科学与哲学,149,198,337;~人的雕塑,143,170

Guardi,瓜尔迪,129

Guercino,圭尔奇诺,142

Hambidge,Jay,杰伊·汉比奇,317

Hamlet,哈姆雷特,314

Happiness,幸福,17

Harmony,和谐,14,17,87,160

Hazlitt,William,威廉·哈兹里特,283

Hegel,黑格尔,152,289

Hesiod,赫西俄德,328

Housman,豪斯曼,188,216

Hudson,W.H., W.H.赫德森,28,125

Hulme,T.E., T.E.休姆,76,331—332

Human Contribution,The,人的贡献,245—271

Ibsen,易卜生,188

Ideals and Material,理想与材料,18,27,242,291

Illusion,in art,幻觉,艺术中的~,200—201,275—277

Imagination,想象,266—269,272—274

Imitation,摹仿,7,283,见Representation

Immediacy,of esthetic values,直接性,审美价值的~,119,293

Impulsion,冲动,58,255

Individualization,个人化,67 始,82,202—206,277,283,288

Industrialism,an art,工业制度,一种艺术,9—10,26,227,337,341—344

Inertia of habit and imagination,习惯与想象的惯性,270

Ingres,安格尔,303

Inspiration,灵感,65—66,266

Instinct,本能,256

Instrumental,工具性,139—140

Intellectual,and Esthetic,理智的,与审美的,15—16,45,55,73—74,94

Intelligence and Intelligibility,理智性与可理解性,22,45,134,138,172,213,288—290

Interaction,of Organism and Environment,相互作用,有机体与环境,第一章与第二章各处,13—19,22,35,50 始,147,246,272

Intuition,直觉,266,294

James,William,威廉·詹姆斯,56,72,91,119,123,168,206,210,217

Johnson,Samuel,塞缪尔·约翰逊,79,96

“Joie de Vivre,”by Matisse,《生之愉悦》,马蒂斯作,126,276

Judicial criticism,司法式批评,303,304

Kant,康德,125,217,295;《判断力批判》,252

Kantian psychology,The,康德的心理学,254,255

Keats,济慈,32—33,70,111,124,144,206,216,234,254,257,347

Knowledge,art as a mode of,知识,艺术作为~的一种形式,288,289,291

Lamb,Charles,查尔斯·兰姆,140,283

Lancret,朗克雷,128

Language,Objects of art as,语言,艺术对象作为,106,287,335。见Medium

Lee,Vernon,浮龙·李,101,103

Leibniz,莱布尼茨,204

Leonardo,列奥纳多,172,289

Lemaitre,Jules,朱尔·勒梅特,304,305

Line and form,线与形,202

Lines,carry the properties of objects,线,带有对象的性质,100

Lippmann's “A Preface to Morals”,李普曼的《道德序言》,329,340

Literature,the medium of,文学的媒介,228

Living,experience and process of,生命的经验与过程,35

Locke,Descartes and,洛克,笛卡尔与~,338;休谟与~,37

Louvre,卢浮宫,8,302,312

Lucretius,卢克莱修,289

“Lucy Gray,”Wordsworth,《露西·格雷》,华兹华斯作,131

Macbeth,麦克佩斯(又译麦克白),195,206

Machiavelli,马基雅维里,329

Make-believe Theory,虚拟理论,275—277

Man and nature,人与自然,270—271;艺术作为~的区别性特征,26

Manet,马奈,143,176

Mann,Thomas,托马斯·曼,212,313

Mantegna,曼特尼亚,142

Marin,John,约翰·马林,204

Masaccio,马萨乔,92

Mass and volume,团块与体积,210,212

Material,材料,27,75

Matisse,马蒂斯,83,106,113,118,128,136,276,302

Matter,and form,质料与形式,128,132

Meaning,in art,意义,艺术中的~,59,71,84 始,99,278,见Representation

“Mean proportional”,The,and Aristotle,比例中项,与亚里士多德,40

Means and medium,手段与媒介,197—199

Medium and media,媒介,63—65,117,195—202,226,230—231,236,240,277,287—288,319—320

Melville,麦尔维尔,317

Memories and art,记忆与艺术,18注,71—73,89—90,122

Michael Angelo's“Moses”,米开朗琪罗的《摩西》,234

Mill,John Stuart,约翰·斯图尔特·穆勒,47

Milton,弥尔顿,79,110,124,153,289,318—319

Mind,心灵,21,22,42,263—265,272注,273

Molière,莫里哀,240

Monet,莫奈,302,303

Morals,道德,20,21,26,39;艺术的功能,344—348

Motor dispositions,动力设置,97,101

Movement,in direct experience,运动,在直接经验之中的~,207

Murillo,牟利罗,91

Murray,Gillbert,吉尔伯特·默里,291

Museum art,博物馆艺术,7—9

Music,音乐,7,8,74,157—158,223,236—238,296

Musical form,音乐的形式,228

Natural History of Form,形式的自然史,134—161

Nature,自然,14,28,79,100,139—140,151—152,331—333

“Negative capability,”Shakespeare a man of,“否定性能力”,莎士比亚作为一个具有~的人,33

Newton,牛顿,298

Non-esthetic,The,非审美,40,49,102

Notre Dame,巴黎圣母院,54

Novel,The,小说,157—158

Nude,the,and pornographic,裸体与色情的,95,178

Object,Artist defines by use of color,对象,以色彩的使用而规定的艺术家,203;表现的~,82—105

Objective and subjective,客观的与主观的,85

Objective,materials,客观的材料,277

Objects,对象,100,106,116

“Ode on a Grecian Urn,”Keats,《希腊古瓮颂》,济慈作,206

O'Neill,Eugene,尤金·奥尼尔,181

Order,akin to the esthetic,秩序,类似于审美,15

Organism,and environment,有机体,与环境,13—19,22,58 始。见Interaction

Organization of Energies,The,能量的组织,161—186

Painters,画家,73,143,200,235,300

Painting,绘画,7,74,91,128,141—143,157—158,209,223,234—235,318

“Paradise Lost,”Milton,《失乐园》,弥尔顿作,110

Paradox,Diderot's,狄德罗的悖论,79,258

Parkhurst,Dr.Helen,海伦·帕克赫斯特博士,224

Parthenon,The,帕台农神庙,4,108,112,224,227

Pater,Walter,瓦尔特·佩特,31,229,283

Participation and communication,参与和交流,22

Patterns,common,in various experience,图式,共同的,在不同的经验中,16

Perceptible form,可知觉的形式,75

Perception,知觉,10,44,49,97,130,137,162,177,195,226,256;与批评,298—325

Permanence and change 永久与变化,322—325

Philosophy,哲学,3,11,99,120,149,272—297,337

Philosophers,and scientists,哲学家,与科学家,73

Plato,柏拉图,8,26,247,291,317,328—329

Play Theory,of art,游戏理论,艺术的~,277—281

Plotinus,普罗提诺,291

“Pointillist”technique,“点彩派”技术,122

Politics,Compartmentalization of,政治学,分区化的~,20;~与道德,26

Popularity and communicability,流行性与可交流性,104

Poe,Edgar Allen,埃德加·艾伦·坡,74,194

Poetry,诗,33,110,216,240—241

Poets and painters,诗人与画家,73;戏剧学与音乐家,8

Poussin,Nicholas,尼古拉·普桑,251

Practical,the,and the Esthetic,实践的,与审美的,39—40,55 始,260—262

Preface to Morals,A,Lippmann's,《道德序言》,李普曼著,329

Prose and poetry,散文与诗,240—241

Psychological aspects and elements of esthetic experience,心理学方面与审美经验成分,245

Psychology,The Kantian,心理学,康德的~,254,255;~与艺术理论,245—271

Pure Reason operation as a demand upon Pure Will,纯粹理性作为纯粹意志的一个要求而起作用,252

Qualities,Sensory,性质,感性的,21,102,120 始,124,194,215,255,258—259,293

Qualitative Thought,定性的思想,120注,144—145,191,193注,195,201—202

Raphael,拉斐尔,172

Reason,理性,33,253,见Intelligence and Intelligibility

“Reason in Art,”Santayana,《艺术中的理性》,桑塔亚那著,227

Recognition,认识,23—24,52,114,259

Reconciliation,Meaning of,和解,意义的~,185—186

Recurrence,Esthetic,审美的重现,169始

Reflection,反思,15,70,114,202,293

Relations,关系,25,101—102,117,134—135,166

Religion and fine art,宗教与美的艺术,6,31;~的分区化,20

Religious feeling,宗教的感情,195;~的绘画,318

Rembrandt,伦勃朗,92,112,206

Renascence,The,文艺复兴,141,251,329

Renoir,雷诺阿,95,128,167,178,301

Representation,in art,再现,艺术中的~,83,88 始,112—114,199,221—223,253,283—288

Resistance,抵抗,23,59—60,138,145,147,155,160,137,179,182,236,261—262,268,280,339

“Revelation”in art,“启示”,艺术中的~,270

Reverie and Art,幻想与艺术,276;大脑的~,221

Reynolds,Sir Joshua,乔舒亚·雷诺兹爵士,187,284—285,300

Ribera,里贝拉,142

Richards,I.A., I.A.瑞恰兹,250

Rhythm,节奏,14,16,137,147,150—156,162—169,175—176

Roman School,罗马画派,188,330;浪漫主义,282—283;~与古典主义,311

Rousseau,卢梭,189

Rousseau Douanier,卢梭,收税者,235

Rubens,鲁本斯,54,206

Rules,and subject-matter,规则,与题材,226

“St.Agnes Eve,”Keats,《圣爱格尼斯之夜》,济慈作,254

Santayana,G.,乔治·桑塔亚那,18,140,156,127,292,320,330

Sargent,萨金特,47

Schiller,席勒,191

Schools of art,艺术流派,141,172,288,265,330

Schopenhauer,叔本华,231,239,289

Science,科学,84,121,337

Scientific,the,and the esthetic,科学的,与审美的,15,26,34,46,75,84,95,149—150,183,288—290,318—319,337—341

Scientists and philosophers,科学家与哲学家,73,144

Scott,Geoffrey,“Architecture and Humanism”,杰弗里·斯各特《建筑与人文主义》,127注

Scott,Sir Walter,瓦尔特·司各特爵士,171,283

Sculpture,雕塑,142—143,170,223,232

Sensations,感受,21,245,255。见Qualities

Sense,感觉,22,102,115,127,132。见Qualities,Sensory

Sense-perception,感觉-知觉,53 始,101—102,115

Serenity in art,艺术中的宁静,160

Shakespeare,莎士比亚,33,124,143,159,190,205

Shape,and form,形状,与形式,102,114 始

Shaping and automatic arts,造形的与自动的艺术,227

Shelley,雪莱,111,289,347—349

Social Conditions,and Art,社会条件,与艺术,20 始,80—83,104,261—262,326—330,337—348

Socrates,苏格拉底,26

Sound,声音,210,236

Space,空间,183,206,209—212。见Temporal and Spatial

“Speculations,”Hulme,《思索》,休姆作,76,331

Spencer,H.,赫伯特·斯宾塞,114

Spenser,Edmund,埃德蒙·斯宾塞,280

“Spiritual”experience,Ideal and,“精神的”经验,理想与~,29

Spontaneity,in art,自发性,艺术中的~,70 始,279

Statement,versus Expression,陈述,相对于表现,85 始

Stein,Leo,利奥·斯泰因,157,205

Subject-matter,题材,88—89,94,111,114,226

Subjective and objective,主观的与客观的,85,276

Substance of the arts,Varied,各门艺术的实质,214—244

Substance and form,实质与形式,105—135

Supernatural,超自然的,30

Symbols,符号,29,83,150

Symmetry and rhythm,平衡与节奏,178—179,183;动力的与功能的~,182

Technique,“Pointillist”,技巧,“点彩派”,122;~的相对性,140—144,228,304—305,330

Technological and shaping arts,技术的与造形的艺术,227

Temporal and Spatial,in art,时间的与空间的,在艺术中,23,163,175,183—184,206—214,218—221

Tennyson,丁尼生,78,193

Tension,Equilibrium result of,张力,均衡的结果,14,13。见Resistance

Thoreau's“Walden”,梭罗的《瓦尔登湖》,316

Thorwaldsen,托瓦尔森,143

Theory,理论,3,10—12,17,101,127,159,242,252,279,331—332

Thinking,in Art 思维,艺术中的~,38,73,119

Time,时间,23,210。见Rhythm

Thntern Abbey,廷特恩教堂,85

Tintoretto,丁托列托,92,142,311—312

Titian,提香,92,112,128,142,177,209,315

Tolstoi,托尔斯泰,105,190,200

Tradition,传统,159,265,310—312,338

Tragedy,悲剧,96

Truth and the Good,真与善,252

Ugly,the,丑,95—96,115,173,204注

Umbrian and Roman painters,翁布里亚与罗马画家,300

Undergoing,受,44,132,155

Unity,统一,35,160,183

Utrillo,郁特里洛,294

Values,价值,308—309;转移的~,118,224

Van Eyck,凡·爱克,209

Van Gogh,凡·高,70,72,85,302

Variation,变异,167—169,323

Varied substance of the arts,各门艺术的实质,214—244;实质,与形式,171

Variety,多样性,23

Velasquez,委拉斯开兹,128

Venetian painters,威尼斯画家,143,~画派,141,188,206

Vision,Esthetic,视觉,审美的,250

“Walden,”Thoreau's,《瓦尔登湖》,梭罗作,316

Watteau,华托,128

Whistler,惠斯勒,167

Winged Victory,带翅膀的胜利女神,234

Wordworth,华兹华斯,85,112,131,151,153,164,188,289

Work of art,艺术作品,3,11,27,83,162,214,219